Audemars Piguet Code 11. 59 Automatic Flying Tourbillon Watch
Stone Dials
Before this year, Audemars Piguet introduced three 38mm automatic flying tourbillon watches in the Code 11. 59 series, breaking lacquer and decoration and only natural geological materials, developing a striking design. Each dial-made from Tanzanian ruby main, Brazilian sodalite, or Zambian malachite respectively-is cut directly into extremely thin discs and after that polished until the natural forme, mineral cracks, and strong colors of the gemstones full bloom beneath the double-curved sapphire ravenscroft. Each dial is unique. Audemars Piguet further enhanced this specific individuality by pairing every single dial with a different platinum case: a ruby-finish face in white gold (model: 26665BC.OO.D632CR.01), the sodalite-finish dial in rose gold colored (model: 26665OR.OO.D349CR.01), and a malachite-finish watch dial in gold (model: 26665BA.OO.D412CR.01). The particular harmonious design extends to typically the matching alligator leather connectors, making each timepiece an exciting and eye-catching work of art.
Audemars Piguet Code 11. 59 Automatic Flying Tourbillon Watch with Stone Calls Earlier this year, Audemars Piguet launched three 38mm automatic flying tourbillon watches inside the Code 11. 59 sequence, abandoning lacquer and adornment in favor of natural geological supplies, creating a striking design. Each and every dial-made from Tanzanian dark red root, Brazilian sodalite, or perhaps Zambian malachite respectively-is slice into extremely thin dvds and then polished until the normal textures, mineral cracks, along with deep colors of the gems bloom beneath the double-curved blue crystal. Each dial is different. Audemars Piguet further increased this individuality by partnering each dial with a diverse gold case: a ruby-finish case in white gold (model: 26665BC.OO.D632CR.01), a sodalite-finish case throughout rose gold (model: 26665OR.OO.D349CR.01), and a malachite-finish case in gold (model: 26665BA.OO.D412CR.01). The harmonious design gets to the matching alligator natural leather straps, making each watch a vibrant and eye-catching work of art.
The dial on the Audemars Piguet Code 11. 59 Automatic Flying Tourbillon watch also features a sand-gold finish, achieved through bodily vapor deposition (PVD). This specific rich hue lends an exceptional sheen to the inner board with its snail-like pattern plus the concentric circle relief symbolizing outwards from the center with the dial. Hundreds of tiny perforations add depth and exclusive character to the dial, any design created in effort with Swiss guilloché grasp Yann Von Kaenel. Any window at 6 o'clock offers a view of the traveling by air tourbillon and its intricate physical structure. The hour marker pens and hands are created in 18K sand yellow metal, with only the palms coated with luminescent substance.
replica Greubel Forsey Grande Sonnerie
replica Audemars Piguet Code 11. 59 watches
An Impressive Movement: Caliber 2968
These timepieces with stone-colored dials and sand gold cases herald another considerable moment: the ultra-thin Competence 2968-originally housed in the Royal Oak Jumbo-makes its iniciación in the Audemars Piguet 38mm Code 11. 59 scenario, seamlessly integrating the superb craftsmanship of the flying tourbillon into an elegant everyday watch. Measuring only 3. 4mm thick, this movement properties the balance wheel and escapement within a titanium frame, spinning once per minute. Eliminating gravitational pressure errors without an upper platter, the movement is totally visible, appearing to move above the dial.
Audemars Piguet did not decide for miniaturization or give up; instead, it redesigned often the movement from the inside out, incorporating some sort of periphery drive to maintain gigantism and energy flow while lowering size. The cage works with a periphery drive to reduce excess weight, while the high-amplitude escapement boosts stability and energy supply.
The Audemars Piguet Grande Sonnerie Carillon Supersonnerie (Code 11.59) integrates the brand's sophisticated striking mechanism into a 41mm case. It houses the actual manual-winding Caliber 2956, a new 498-part movement that blends with grande sonnerie, petite sonnerie, and minute repeater capabilities. In grande sonnerie function, the watch automatically strikes the particular hour and quarter-hour; with petite sonnerie mode, just strikes the hour; along with the minute repeater function may be manually activated as necessary.
The movements employs a horn-like pattern which has three gongs and about three hammers, producing three chimes every quarter hour as opposed to the more common two. It also advantages of Audemars Piguet's Supersonic technological innovation, which enhances the intensity, quality, and sustain of the noise by separating the gongs from the case structure.
To celebrate the brand's 150th anniversary, five incredible timepieces have been launched, each one with a unique dial an incident material. Two of these, types 26397OR. OO. D417CR. 01 and 26397BC.OO.D357CR.01, both feature opal dials-one with an 18K rose gold colored case and a rare diamond-cut opal dial, its colourful sheen complementing the green particulars; the other with a white gold situation and a dial featuring a one of a kind greenish-blue hue from the crystal opal.
The other three watches, model numbers 26397PN.OO.D008KB.01, 26397CR.OO.D009KB.01, and 26397QS.OO.D002KB.01, just about all feature polished sapphire crystal dials through which the stunning mechanism is clearly obvious. The cases are made of platinum, white gold, rose gold, aventurine, in addition to ceramic, all employing Audemars Piguet's signature alternating silk brushed and polished beveled finish. Regardless of the material, typically the Supersonnerie striking system assures consistently superior sound quality: often the chimes are loud, very clear, and unaffected by circumstance damping, showcasing a level regarding acoustic engineering rarely noticed in the watchmaking industry.
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